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Then, add a second compressor with slower attack and release times, and a lower ratio. Use this compressor to gently glue the performance together. Many engineers prefer the LA-2A for this job.

Exclusively on our Instagram account, we’ll be sharing videos and stories instructing some fun and modern aspects of home production. (By the way, we issue fun production and composition challenges every month, and follow them down the rabbit hole ourselves with you. Follow us to see what happens and join in!)

Passive pickups are built by wrapping a magnet in multiple coils of copper wire, it’s the oldest form of guitar amplification. Active pickups still use copper coils like passive pickups, but fewer of them, since they incorporate a battery-powered preamp to boost the signal level.

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Ordinary income is just that — money earned for the work you do. For songwriters, the money you earn from royalties is considered ordinary income. The tax rate you pay depends on how much you make, from as low as 10% of taxable earnings to as high as 39.6%.

Somehow, this video perfectly portrays the combined joy and sorrow of the song. The random intervention of the weather actually helped to make it even more fitting than the original concept. It’s so simple yet powerful, and it proves that lots of money is not essential for developing a great music video.

Introducing Soundfly’s newly revamped Headliners Club program: a fully customized one-month learning and coaching experience built around your musical goals.

Learn about some of our favorite grants and fellowships, awarding money, time and space to create new works of music, and get the funding boost you need!

Soundfly’s brand new course will give you a solid understanding and practical experience of one of the industry’s most powerful and trusted programs, Logic.

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On this day, 57 years ago, James Brown and his Famous Flames recorded what would become one of the most earth-shattering funk and soul albums of all time.

Sometimes you can find unexpected new meanings by recontextualizing vocals, like when I discovered that Whitney Houston singing the words “I know” from her a cappella to “How Will I Know” sounds great over De La Soul’s “Eye Know.” (Email me if you’re dying to hear this experiment.)

Meredith Jane Monk is a world-renowned composer, singer, choreographer, filmmaker, artist, and writer. An absolute powerhouse of contemporary art and music alike, she’s been making waves as a composer and performer for over 50 years! Now 76 years old and showing no signs of slowing, Monk continues to be a leading force in extended vocal practices and techniques, and avant-garde performance practices. Her 21st century works have been published by ECM and Tzadik, and a few years back, she was a composer-in-residence at Carnegie Hall. Much is owed to her history of fearless experimentation and her forward-thinking eye toward the body and its sound-making capabilities.

Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

Now, if we apply the same reasoning to all the other modes, we would see that the differences between the modes and their respective Major or Minor counterparts is often only one note (with one exception, which we will see shortly).

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